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True, there are moments of grandeur but the overall impression is of a poised, at times chamber-like traversal, with sculpted pianism and crisply pointed orchestral support. and in the space of five or six years (making Admirably recorded, this three-disc set is crowned with a scholarly and illuminating essay by Jean-Paul Montagnier. TheAdagio moltois remarkable in the way he stills the mood, conjuring an atmosphere that sounds almost like a postscript to SchubertsWinterreise. It's all here. A common feature of this, is a dotted rhythm (short-long, short-long) that lends an air of graciousness and pomp, that is not exactly "heroic" but would have conveyed a character of fashionable dignity to contemporary listeners; and perhaps a hint of the noble "chivalric" manner that was becoming a popular element of novels, plays, operas, and pictures. . Fri 27 Mar 2009 14.09 EDT. Gramophone is brought to you by Mark Allen Group Usually, you get po-faced seriousness when a big orchestra and three star names try to out-do each other, as the cello, violin, and piano soloists fight for the limelight. Beethoven's early biographer Anton Schindler claimed that the Triple Concerto was written for Beethoven's royal pupil, the Archduke Rudolf (Rudolf von Habsburg-Lothringen). The choice of the three solo instruments effectively makes this a concerto for piano trio and the only concerto Beethoven ever wrote for more than one solo instrument. In the matter of equality among the soloists, Beethoven, accurately perceiving that the cello could get lost in the sonic shuffle, overcompensated by giving the low string instrument inordinate prominence by writing in its top register and by having it introduce most of the thematic material. the flattened submediant (C-A flat-C), a relationship Rob Cowan (February 2008), The 1984 Gramophone Award in the chamber-music repertory went to the Lindsay Quartet's set of the late Beethoven quartets and it is a measure of the inexhaustibility of these great works that they have also claimed 1985's vote. Klemperer came as close as any conductor to enabling both impulses to inhabit a single style. This movement takes about thirteen to fourteen minutes. Dear Vitaliy: I have wanted to comment any number of times to thank you for the education and pleasure that you have been providing to me. Fischer is quicker in the slow movement where he retains that mm=72 pulse which can plausibly inform all four movements. But what Beethoven gives us is something slightly different. The reading is weighty but graceful, with a most beautifully phrased Andante (worthy of a Furtwngler), a bold Minuet and a thrilling finale. In the ensuing years, Beethoven and the piano were inseparable; the composer, a virtuoso pianist, was virtually always writing for his favored instrument, whether in a solo, chamber, or concerto context. Antonio Vivaldi's L'estro armonico, published in 1711, also contained a number of concertos for two violins and cello, however without concertos for multiple soloists being indicated as concerto grosso in this earlier publication. The jogging triplets that figure in much of the accompaniment also contribute to this effect. Beethovens directions for the introduction to Op 102 No 1 are explicit Andante, softly singing, sweetly, tenderly and Steven Isserlis, playing a gut-strung 1726 Stradivarius, invokes its beauty in hushed, withdrawn tones. is also the case in the two following movements) Think of repose in C major for 27 bars until the switch to the main movement; and the sudden shock of a fortissimo chord in A minor is ruder than it would be on a modern piano. Karl Bhms Beethoven is a compound of earth and fire. I dont know who to pity more: the budding maestro who hears this Beethoven Fifth before attempting to conduct the work himself or the one who doesnt. its first known performance in May 1808, and Beethoven - Triple Concerto Symphony No. . But they could be called idiosyncratic from Harnoncourt would you have expected anything less? The Mahler CO wind are predictably characterful in their variations on the theme that prefigures the Ode to Joy and the chorus are fervent without sounding too butch. Beethoven:triple Concerto [DVD] AU $46.70. The Alban Berg are the first to give us them on CD, and the medium certainly does justice to the magnificently burnished tone that the Alban Berg command, and the perfection of blend they so consistently achieve. Even when a dazzlingly articulate reading like that of the Waldstein is home and dry, the abiding impression in its aftermath is one of Schnabels (and Beethovens) astonishing physical and imaginative daring. On the contrary Toscaninis avowed mission was to clean up where others had indulged in interpretative excess. The triple concerto is dedicated to Prince Franz Joseph Maximilian von Lobkowitz. They offer eminently civilised, thoughtful and aristocratic readings. Riccardo Chaillys first recorded Beethoven cycle shows him to be a Classicist through and through. Harnoncourt doesn't pretend that what he offers is Beethoven as the composer imagined it. Beautifully blended recordings, too: if youre after a top-ranking digital set of Op18, you couldnt do better though placing them in the context of a complete cycle is rather more difficult until the late quartets appear. You do not have to listen far to be swept up by its spirit of renewal and discovery, and in Pierre-Laurent Aimard as soloist Nikolaus Harnoncourt has made an inspired choice. The triple concerto is dedicated to Prince Robert Levin may be matchless in conveying the rhetoric of the extended piano opening but Andsnes manages to be lithe and spontaneous-sounding, and doesnt overplay hints of melodrama dangerously tempting with all those diminished sevenths scattered about. There was an infectious give and take between Beznosiuk and Tunnicliffe, especially in the finale, when Beethoven out-does Dudley Moore's impression of him not being able to finish a piece; there are at least 3 goes at a coda in the Triple Concerto. The success of the composers thematic invention must also rely upon the performers, for, in themselves, the themes tend toward severity and the tissue connecting them, besides being repetitive, is surprisingly formulaic. Vital energy and connoisseur-level sensitivity to original turns of phrase reign supreme in Helmchens reading of the Mozart-influenced Second Concerto, and he appropriately exchanges its skittish garments for a serious black frock-coat with the first-movement cadenza, composed much later than the surrounding music, layering the soundscape in something that could have come right out of theHammerklavierSonata. There is not a activity by way of varying the texture. His VPO recording of Beethovens Sixth of 1971 dominated the LPcatalogue for over a decade, and has done pretty well on CD on its various appearances. 56 - 2. This one dates from June 2, 1960, at the Prague Spring International Music Festival. From the first note, Osbornes kinship with the composer is everywhere apparent and he conveys the vast contrasts of the last three sonatas unerringly. The Listen to Beethoven: Triple Concerto; Overtures by Anne-Sophie Mutter, Berlin Philharmonic, Mark Zeltser & Yo-Yo Ma on Apple Music. BEETHOVEN PIANO CONCERTOS. The list is organised by genre, beginning with orchestral works, then moving though chamber, instrumental and vocal. Jochum Arrau's pc #1 contains the same assets and liabilities. Beethoven did not set himself an easy task. Required fields are marked *, I love waking up on Saturday mornings and immersing myself in an endless YouTube journey into classical music. Two concertos for three harpsichords and string orchestra: This page was last edited on 18 December 2021, at 16:47. In the piano concertos, Beethoven used the second movements to great affect. The most famous example is Beethoven's Triple Concerto for violin . Norrington is not unduly preoccupied by matters of orchestral size (44 players are listed on the sleeve) or by pitch (the London Classical Players have settled for A = 430). Comparison with Helmchens own recording of this concerto from the final round of the 2001 Clara Haskil competition (which he won) is the best proof of how much a close affinity between pianist and conductor matters. The clarity and warmth of the recording (from Snape Maltings) is as remarkable as the playing. It takes a major pianist standing outside the Viennese tradition to see the volatile and ageing Beethoven subsuming gamesome Classical ironies in Romantic pathos and a feeling of personal travail. Listen. Catalogue Number: DG 483 8242. One might even relate the reading of that first movement to Giulini's spacious but concentrated reading of the Eroica Symphony with the Los Angeles Symphony Orchestra (DG, 5/79). Beethoven had planned to unveil the C minor Piano Concerto No. I still remember the sinking feeling I experienced a mere tiro reviewer on Gramophone when I dropped into the post-box my 1000-word rave review (they had asked for 200) of what struck me as being one of the most articulate and incandescent Beethoven Fifths I had ever heard New York Philharmonic Symphony Orchestra / Arturo Toscanini. In the middle section of Sonata No 3s Adagio, each of their perdendoso phrases ends in a ghostly whisper a wonderful effect. If Schnabels Hammerklavier was not one of the triumphs of his pioneering cycle, its surface roughness worked in its favour in that the listener was never distracted from the spirit by the beauty of the letter. Klemperer wanted, in the studio, to retain his Covent Garden cast; Legge preferred to make changes with two exceptions (Jon Vickers and Gottlob Frick). for the piano, and the triple concerto. Beethoven Triple Concerto: arguably the least successful of any of Beethoven's mature concertos in the concert hall. Triple and violin concertos Vol 1 and 2. BOOKS MUSIC DVD'S & FILMS GAMES TOYS & LEGO Title: Beethoven 155431349977 Beethoven, Ludwig van. and Appassionata sonatas, Fidelio, And here you sense that she is among those truly great artists who, in Charles Rosens words, appear to do so little and end by doing everything (his focus on Lipatti, Clara Haskil and Solomon) Murray PerahiapfConcertgebouw Orchestra / Bernard Haitink. The program features Beethoven's iconic Fifth Symphony, as well as his sparkling "Triple" Concerto for Violin, Cello, and Piano featuring Concertmaster Yoonshin Song, Principal Cello Brinton Averil Smith, and world-renowned pianist Yefim Bronfman. I was much looking forward to getting my hands on this CD, having chosen Steven Osbornes previous Beethoven sonata disc, featuring a dangerous and profound Hammerklavier, as my Critics Choice in 2016. "meaty" sonata-form structures. "Where words leave off, music begins!" Wynk Music brings to you Piano Concerto No. Richard Osborne (April, 1992). The second movement, Largo, is far more compact. The very first entry is in octaves only (as The finale is a joyous, , and how charming is Helmchens invitation to the dance when he adds a subtle agogic accent to the very opening of the movement. Where both Chung (Decca) and Mutter are above all lyrical and meditative, illuminatingly so, Perlman's is a more obviously virile purposeful reading with the orchestral tuttis closely co-ordinated - just as they are in the Krebbers version (Philips) with a soloist who at the time was also concertmaster of the orchestra. This presentation has been published in the booklet of the cd: "Triple About this Performance. With the exception of the trumpets, the instruments are all modern, and while phrasing, rhythmic articulation, expression and balance reveal Harnoncourt's rigorous and passionate pursuit of historical truth, the results neither sound nor feel like anything offered under that banner before. The most famous example is Beethoven's Triple Concerto for violin, cello and piano. Find many great new & used options and get the best deals for Beethoven Triple Concerto & Brahms Double Concerto, Richter,Rostropovich,Oistrak at the best online prices at eBay! A typical performance takes approximately thirty-seven minutes. Play Beethoven: Triple Concerto in C Major, Op. In an evening of musical friendships, Dudamel brings four extraordinary artists together for memorable music making. Second, even the best are not best at playing their entire repertoire. The resemblance here to Karajans 1962 Berlin recording is uncanny, doubly so given the quality of playing and direction needed to bring off a reading of such pace, poise and beauty. There is, though, nothing effete about the totality of Gilels's reading. Arguably the most significant Soviet-era composer of the last century, Dmitri Shostakovich . I can well imagine Sir Thomas Beecham opining from some celestial vantage point that the music was quite as vital and rather wittier at his rather more considered tempos; but in Beethoven urbanity is not everything. The orchestra, co-founded by Daniel Barenboim in 1999, now stands as a symbol of multicultural understanding, and is positive proof that working . The slow movement, in A-flat major, is a large-scale introduction to the finale, which follows it without pause. Free--indeed unaware--of technical problems, they give it a joyful, sparkling lightness. The exceptional quality, both musical and technical, of this, the first set of the nine in the history of the gramophone to be released as a single cycle, took thesymphonies to audiences oldand new across the globe; anddid so in well-assimilated readings that refuse to date. I was out of my seat at the end of the Seventh and I can only assume that a patch was made of the final pages, because no audience could conceivably have contained itself. Written in A flat major, this movement is highly cantabile and poetic, with the cello first singing out the theme at some length. International licensing, Vital energy and connoisseur-level sensitivity to original turns of phrase reign supreme in Helmchens reading of the Mozart-influenced Second Concerto, and he appropriately exchanges its skittish garments for a serious black frock-coat with the first-movement cadenza, composed much later than the surrounding music, layering the soundscape in something that could have come right out of the, Sonata. 56, for piano, violin, cello and orchestra; and the Fantasia in C Minor, Op. the director of the theatre cancelled the concert, It was in fact RCA Victors second Toscanini Fifth tauter and tidier than its better-recorded live 1931 predecessor though like the earlier version it was never actually passed for commercial release. As far as sound quality is concerned, its rich and warm. I wanted to share with you probably the most unique performance ever recorded (other than Rachmaninoff playing Rachmaninoff): Beethoven's Triple Concerto. David Oistrakh . Ibragimova and Tiberghien dont attempt anything so extreme but their playing has a powerful sense of progress through the series of modulations, born, I imagine, out of the intensity of live performance. First Los Angeles Philharmonic performance: This site uses cookies to offer you the best possible experience. Poetry and virtuosity are held in perfect poise, with Ludwig and the Philharmonia providing a near-ideal accompaniment. John Ogdons account has a splendidly withdrawn feeling at this point and a raptness and tranquillity that I greatly admire. If you are a library, university or other organisation that would be interested in an institutional subscription toGramophoneplease click herefor further information. Free postage. The movement itself is short, albeit with dramatic IT. Beethoven's "Triple" Concerto is often treated as the less brilliant sibling of the more imposing works composed around the same time: Fidelio, the Fourth Piano Concerto, the Violin Concerto, and the Fourth Symphony. 500 bars. At any rate, the first and apparently only performance of the Triple Concerto during Beethovens lifetime occurred in May 1807, and it is not certain whether royal or a commoners hands were at the piano. Beethoven Triple Concerto: arguably the least successful of any of Beethoven's mature concertos in the concert hall. Listening to the opening tutti on this joyful new Triple Concerto, I could just picture Nikolaus Harnoncourt cueing his strings, perched slightly forwards, impatiently waiting for that first, pregnant forte. Harmonia Mundi HMM902419 64:52 mins. The flute, oboes, trumpets, and timpani are tacet during the second movement. CD. Free shipping for many products! piano, orchestra) are solved here by an unusual [1] The Archduke, who became an accomplished pianist and composer under Beethoven's tutelage, was only in his mid-teens at this time, and it seems plausible that Beethoven's strategy was to create a showy but relatively easy piano part that would be backed up by two more mature and skilled soloists. () 5,000 ()!. And if this suggests recklessness, well, in many other instances the facts are quite other, for Schnabel has a great sense of decorum. Ludwig van BEETHOVEN (1770-1827) Triple Concerto in C major, Op. Telemann also wrote triple concertos for three identical instruments and for three different instruments: for instance, his Tafelmusik collections contain a concerto for three violins (TWV53:F1), and one for flute, violin and cello (TWV53:A2).[4]. Ivn Fischers direction is in the Toscanini class in its clarity and verve. At this time he was coming to terms with increasingly This is an exceptional realisation of Beethovens nine symphonies, one of those rare occasions when one is left with a feeling of having been in the presence of the thing itself. No one had ever written for this combination of solo instruments and orchestra. The most popular triple concerto, commonly called Triple Concerto (Tripelkonzert), is Beethoven's Triple Concerto for violin, cello and piano. EMI planned for a long time to assemble this starry line-up of soloists, conductor and orchestra for Beethoven's Triple Concerto, and the artists do not disappoint, bringing sweetness as well as strength to a work which in lesser hands can sound clumsy and long-winded. Like Furtwngler in his 1953 studio recording, Abbado leads a viscerally charged performance that flies to the very heart of the matter, and does so in a version which, stripping away much of the spoken dialogue, recreates Beethovens lofty Singspiel as musical metatheatre Jurinac; Vickers; Frick; Hotter; Chorus and Orchestra of the Royal Opera House, Covent Garden / Otto Klemperer. palace from 1796 onwards, made it available Pour vous abonner cliquez ici: http://bit.ly/Subscribe_DG#Beethoven2020 #PlayOn #Beethoven The recording is splendid. 10) Quartetto Italiano (Decca) is a safe bet for Beethoven 's string quartets. Painting by Alex Katsenelson. Israel PhilharmonicZubin Mehta - conductorYefim Bronfman - piano Pinchas Zukerman - violinAmanda Forsyth - cello MALCOLM SARGENT . It still sounds well and the performance (with the first-movement exposition repeat included) has an unfolding naturalness and a balance between form and lyrical impulse thats totally satisfying. figuration most of the time. of balance between resources (violin, cello, Beethoven isnt that the guy who wrote the fifth symphony or something? for a concert in spring of that year. In her own memorable artists note she speaks of that knife-edge poise between creator and recreator, of what must finally be resolved into a primal simplicity. The Beethoven Triple Concerto demands utmost virtuosity, as well as intimate teamwork among the soloists, and that is exactly what these three supreme masters of their instruments bring to it. The American completes his nine-year project to record all 32 sonatas. Up to a point the length of a review should denote importance and were this the case, this notice ought to occupy many pages! The second and last movements have a Furtwnglerlike breadth, though such is Fischers mastery of ease within motion and motion within repose, there is nothing here that is long-drawn. The success of Beethovens balancing act is in direct proportion to the virtuosity of the soloists and the discretion of the conductor. Various - Beethoven / Symphony 1-9 [CD] DeccaBeethovens late quartets are the ultimate examples of music that is so great that, as Artur Schnabel famously suggested, no single sequence of performances could ever do them full justice. is much liberal use of unison semiquavers, or Franz Joseph Maximilian von Lobkowitz. its muscles. It was Abbados second Berlin Philharmonic symphony cycle from 2001 which thrust him more or less unexpectedly into the ranks of the immortals where Beethoven is concerned. The trio rushes through a penultimate breakneck episode, but slows down for its last, dance-like section while the orchestra keeps trying to cut in with a big, affirmative conclusion. The perfect civility of Perahias playing is a joy, the deeply felt slow movements particularly rewarding (try that of the Fourth, following the choice of the longer of the two cadenzas for the first movement) Martin Helmchen pf Deutsches Symphonie-Orchester Berlin / Andrew Manze. Dramatic repeated notes launch into the third movement, which is a polonaise (also called "polacca"), an emblem of aristocratic fashion during the Napoleonic era, which is, thus, in keeping with the character of "polite entertainment" that characterizes this concerto as a whole. Quite frankly, you couldnt do very much better than this set. A common feature is a dotted rhythm (short-long, short-long) that lends an air of graciousness and pomp that is not exactly "heroic," but would have conveyed a character of fashionable dignity to contemporary listenersand perhaps a hint of the noble "chivalric" manner that was becoming a popular element of novels, plays, operas, and pictures. Beethoven: The Piano Concertos. had chosen to settle in his adoptive Vienna, For the recorded sound, theres nothing that can be done about the occasional patch of wow or discoloration but, in general, the old recordings come up very freshly. The specifically east of Vienna dimension is not merely felt in the fierier thrust of the 2/4 section of the Peasants Merrymaking. By the time you become a recording professional musician you are good, but there is something that is unique (and maybe there is even a little bit of randomness) that makes you into what I call a musical giant. 7 - Triple Concerto - Used CD - E7814A at the best online prices at eBay! Such playing is hardly for lovers of histrionics or inflated rhetoric, but rather for those in search of other deeper, more refreshing attributes, for Beethovens inner light and spirit. 11. At first glance, you might expect a three-for-the-price-of-one concerto experience, with the violin, cello and piano all happily co-existing . Perlman's first entry couId hardly be more deceptive, that ladder-like climb of spread octaves which many virtuosi (Anne-Sophie Mutter on DG for example) present commandingly, but which Perlman plays with such gentleness that he emerges almost imperceptibly from the orchestra. Put them together and something magical happens within the tensions they engender. Sound interests him a good deal. Based on Italian models, Johann Sebastian Bach composed concertos for multiple instruments, including his Fourth Brandenburg Concerto, BWV 1049, with solo parts for violin and two recorders,[1] his Fifth Brandenburg Concerto, BWV 1050, featuring violin, flute and harpsichord,[1] the Concerto, BWV 1044, for the same soloists,[1] and two concertos for three harpsichords and string orchestra.[2]. 56, commonly known as the Triple Concerto, was composed in 1803 and published in 1804 by Breitkopf & Hrtel. The list goes on as does the pleasure. Discover Beethoven: Triple Concerto; Brahms: Double Concerto by Wolfgang Schneiderhan, Gza Anda, Jnos Starker, Pierre Fournier, Ferenc Fricsay released in 1999. In general, though, only one soloist takes the spotlight at a time, if only for a few bars. A search for inner and outer peace the aspiration Beethoven writes above the opening bars of the Dona nobis pacem is the performances ultimate goal Stemme; Kaufmann; Lucerne Festival Orchestra / Claudio Abbado. Had this new Naxos release been to hand I might have focused Rattles calculated individuality in relation to Toscaninis directness and elasticity. Stream ad-free or purchase CD's and MP3s now on Amazon.com. I was made more than usually aware of its original context as the finale of the famously epic concert that also saw the premieres of, among others, the Fifth and Sixth Symphonies and the Fourth Concerto; suddenly I noticed connections between the Fantasy and the Fourth that previously passed me by. much allowance for the gestation and lengthy grand. Which is not to say that the Budapest performance is a carbon copy of the Karajan. Allegro Song by New Philharmonia Orchestra from the English album Beethoven: Complete Concertos, Vol.2. A new music service with official albums, singles, videos, remixes, live performances and more for Android, iOS and desktop. Equally he can be devilish or coarse. Free postage. Fascinatingly, his pre-war recordings of the Beethoven sonatas on 78s are represented too. The concerto follows all the expected patterns. members with unobtrusive support from the orchestra, EMI planned for a long time to assemble this starry line-up of soloists, conductor and orchestra for Beethoven's Triple Concerto, and the artists do not disappoint, bringing sweetness as well as strength to a work which in lesser hands can sound clumsy and long-winded. The choice of the three solo instruments effectively makes this a concerto for piano trio and the only concerto Beethoven ever . The first movement opens with the introduction of the main sonata allegro themes in the orchestra. Your email address will not be published. But then in a sense he was fortunate. The bonus disc, entitled An All-Round Musician, celebrates Kempffs achievement in words and music, on the organ in Bach, on the piano in Brahms and Chopin as well as in a Bachian improvisation, all sounding exceptionally transparent and lyrical. Largo - song online free on Gaana.com. Such concertos have been composed from the Baroque period, including works by Corelli, Vivaldi, Bach and Telemann, to the 21st century, such as two works by Dmitri Smirnov. (Pollini, on DG, strikes me as being too obviously masterful; Brendel, on Philips, less so.) One small illustration will demonstrate the special character of these performances. Superb rhythmic grip, sensitivity to line and gradation of tone, a masterly control of the long paragraph; all these are features of this remarkable reading. also encountered in the First Piano Concerto I dont like to use the term best when I describe musicians, for several reasons: first, I am not really an authority, able to determine who the best is. The lonely piano recitative of the slow movement is a heart-melting moment. Unusual for a concerto of this scale, the first movement begins quietly, with a gradual crescendo into the exposition, with the main theme later introduced by the soloists. Lobkowitz was also the dedicatee of A new Beethoven cycle which manages to combine the shock of the new with an uncanny sense of familiarity. Few works of music stimulate active and stressful thinking - anxious thought complementing the music's search for resolvable sounds - than the Hammerklavier. 2Listen to the Triple Concerto: https://DG.lnk.to/TripleConcertoSubscribe here The Best Of Classical Music: http://bit.ly/Subscribe_DG _______________Find Deutsche Grammophon OnlineHomepage: http://deutschegrammophon.comFacebook: http://fb.com/deutschegrammophonTwitter: http://twitter.com/dgclassicsInstagram: http://instagram.com/dgclassicsNewsletter: http://deutschegrammophon.com/gpp/index/newsletter_______________: http://bit.ly/Subscribe_DG : http://bit.ly/Subscribe_DG - : http://bit.ly/Subscribe_DGLa mejor msica clsica - Suscrbase aqu: http://bit.ly/Subscribe_DGLe meilleur de la musique classique. florins. IN VENDITA! By and large he did. Thats in part down to the performers and in part surely the recording, in that most eloquent of spaces, the Prague Rudolfinum Read the full reviews in the Reviews Database: Vol 1, Vol 2, Vol 3, Yefim BronfmanpfTonhalle Orchestra, Zurich / David Zinman, Brilliant Classics (originally Arte Nova). alla Polacca (there are similar links between The difference in Corelli's and Vivaldi's approach towards concertos for multiple soloists, as well in style as regarding the name that was used for them, has been explained as relating to differences in music traditions in Rome (where Corelli lived) and Venice (where Vivaldi lived). However, the Concerto's three movements ( Allegro, Largo, and Rondo alla Polacca) present a far more genial and lyrical side of Beethoven's craft. His earlier EMI Icon #1 with Galliera is preferable // Demus/Jochum/Saphir and Rudolf Serkin/Schneider in the triple concerto. His combination of solo instruments, a piano trio, was often used also in later works. The Beethoven Triple is from the genre called the symphonie concertante: a concerto-like composition for multiple soloists and orchestra. The violinist in the premiere was Carl August Seidler,[2] and the cellist was Nikolaus Kraft,[4] who was known for "technical mastery" and a "clear, rich tone". The sound he draws from his players is turgid and unwieldy and his readings seem random and cavalier alongside Norrington's astutely judged readings. and double broken octaves, elegantly varied AU $72.42. Free shipping for many products! The following minor-key variation shows how both players can bring flexibility and fluidity to their performance, with the confidence that they will be sympathetically accompanied.